Aviator No. 41 Dispatched Plus More Sound Samples

March 9, 2013 in The Aviator

Aviator No. 41 is built, tested and ready to be delivered and work on No. 42 is about to begin. Here’s hoping that No. 42 will indeed be the answer to life, the universe and everything for the person that’s ordered it. Keep an eye out for some more photos of The Aviator in coming weeks as there have been a couple of custom requests we’ll hopefully be able to share with you.

In the meantime here’s a few more sound samples for you, quickly recorded on a laptop while testing No. 41 so apologies for the sound quality. One of the sounds demonstrates the VCO sync function used for the lead synth part of a Jean Michele Jarre piece and what makes it great is that it’s almost the analogue synth equivalent to an overdriven electric guitar. Another sound demonstrates the “Sample and Hold” in use controlling the VCF frequency to give random frequency changes of the resonating filter.

Why Analogue Synths In A Digital World?

February 2, 2013 in Exclusively Analogue, The Aviator

I’m often asked why I remain firmly rooted in the past using technology from the 1970s and 1980s rather than taking the leap into the present and embracing the digital world. While you might think at my age I would enjoy nothing better than driving my car listening to classical music, heavy rock or perhaps the Bee Gees it might surprise you to know that Tiesto, the Swedish House Mafia, or a Trance compilation (played at the required high volume sufficient to get the whole car to become a bass resonator) is nearer the truth!

I know Trance is an acquired taste but what attracts me is that if you listen to most tracks you can guarantee that a lot of the sounds used are “analogue'” in origin and in particular a great deal of use is made of sweeping filters. Analogue synthesizers have been part of my life since the early 1970s when I used to listen to Keith Emerson, Rick Wakeman, Wendy Carlos, etc playing their Moog synths. I was captivated by the sound and my journey into building analogue synths began in 1977 when I built my first one, based on an article in an Electronics magazine. This synth, a Minisonic, was built whilst serving on HMS Hermes and whilst it was a basic analogue synth is could still produce some awesome sounds.

Little did I know that my passion for analogue synthesizers would take me on an incredible journey. In 1992 that same journey took me to a studio in North London where I ended up working on one of the most famous analogue synths, Keith Emerson’s huge Moog Modular. To think that 20 years earlier I had listened to this monster being used on the numerous ELP albums and there I was working on it! 20 years on from that and here I am still pursuing my passion and building analogue synthesizers again.

Read the rest of this entry →

The Aviator Goes Global Again

January 27, 2013 in Exclusively Analogue, The Aviator

We did it in the 1990’s with the Aviator travelling as far afield as the USA and Japan and we’ve now done it again thanks to orders from the USA, France, Germany, Sweden and the UK. A big thank you to all those that have placed orders and reserved build slots in the past few weeks, you should now have received confirmation of the process and timelines for your Aviator.

For those still interested, there are now only 5 left to order. If you’d like a piece of the action before the Aviator takes the last flight please get in touch to avoid disappointment.

Aviator Sound Tests

January 19, 2013 in Exclusively Analogue, The Aviator

Following on from yesterdays post about the first Aviator to be built in 16 years we’ve now uploaded a few sound files from the testing that was undertaken before it was shipped. These 3 sound files demonstrate the filter options available on the Aviator.

The above sound file is based on the intro beat from the Swedish House Mafia track “Greyhound”. It uses the Exclusively Analogue Aviator synthesizer with the 24 dB Low Pass filter before switching to a 12 dB Multimode filter and demonstrating Low Pass through to High Pass.

Based on the track “Greece 2000” and starts with a 24 dB Low Pass filter before switching to a 12dB Multimode filter.

This sound file has The Aviator synthesizer doing the lead synth solo that Keith Emerson did in Lucky Man. It starts with a 24 dB Low Pass filter before adding a VCF2 in Multi-Mode as an additional output to change the sound.

First Aviator In 16 Years Takes Flight

January 18, 2013 in The Aviator

As we showed you in the previous post, work has started on the first Aviator to be built in 16 years and we are today pleased to announce it is finished and being prepared for shipping. It will be heading over to France for a gentleman that previously owned 2 of the “Original” Aviators all the way back in the 1990’s and from speaking to him, it seems he regretted ever selling them. This one has the “Custom built for…” text in the top left of the front panel and has the alternate black design as you can see from the photo below.

For the sound test we captured a short video of the filters in action.

With so much time passing since we last built an Aviator the original design notes needed a good dusting but it was great to get to grips with it and certainly brought back some memories. Now that we’ve finished this one there’s another two orders waiting in the wings so expect some more soundbytes and videos in the coming weeks.

The Aviator: Black Is The Next Trend

December 31, 2012 in Exclusively Analogue, The Aviator

With the festive season nearly finished and everyone looking forward to 2013 we’ve managed to spend some time building another Aviator system. This is the first one to be built since 1996 and features the alternate black front panel with the eMu modular style knobs. The photo below was taken during a test build to fit all the parts together and to organise the internal wiring.

This Aviator will be headed to France once completed and will feature the “Custom Built for ……” inscription laser etched on to the top left corner. If we get some time (and permission) we will attempt to try and get more photos of the completed system with the laser etching finished and visible.

Exclusively Analogue - Aviator Black Front Panel

We are sure you’ll agree the black front panel looks quite stylish.

Anyway, the final comment for 2012 is for us to wish you all a Happy New Year.